Hall, once again, pulls off the daunting task of combining complex chord arrangements and hauntingly beautiful harmonies. This effort provides a masterful juxtaposition of the two with flawless precision.

I almost never write reviews about anything, however, I think this one deserves proper acknowledgement. And, I'm with the the other reviewer's comment... I can't believe this almost has no reviews.

First off, I can't get over no one's not reviewing this one. At my reference point (I have this one, the one before it and the Foxwoods/2007) of James Hall, I think it's his best as a whole album. It's just churchy enough to have rhythmic interest and edgy enough to still sound good 10 yrs later.